'Participation at The Wrong Biennale o7'

Artificial Lines of Flight takes inspiration from Gilles Deleuze’s concept of ligne de fuite — a line of escape, of transformation, of rupture from systems of power, structure, and sense. In this context, the exhibition considers how AI and algorithmic creativity can enact such a line of flight: not only by generating uncanny, absurd, or surprising artefacts, but by unsettling the norms of authorship, aesthetics, and intention.
This is not merely an exploration of machine creativity, but a call to consider what emerges when collaboration with machines embraces uncertainty as a condition for political potential. Through this pavilion we invite the audience to consider how embracing uncertainty and unpredictability in human-machine collaboration might open new spaces of resistance and transformation.



